Here are
some of Toni Morrison’s thoughts on blackness in 19th century
American literature that may inform our upcoming reading of Moby Dick:
“It only seems that the canon of American literature is
“naturally” or “inevitably” white…Perhaps some of these [19th
century white American] writers have much more to say than has been
realized. Perhaps some were not so much
transcending politics, or escaping blackness, as they were transforming it into
intelligible, accessible, yet artistic modes of discourse. The reexamination of founding literature of
the United States for the unspeakable unspoken may reveal those texts to have
deeper and other meaning, deeper and other power, deeper and other
significances. One such writer, in
particular, it has been almost impossible to keep under lock and key is Herman
Melville.”
“…if the white whale is the ideology of race, what Ahab has
lost to it is personal dismemberment and family and society and his own place
as a human in the world. The trauma of
racism is, for the racist and the victim, the severe fragmentation of the self,
and has always seemed to me a cause (not a symptom) of psychosis…”
“I would not like to be understood to argue that Melville was
engaged in…simpleminded black/white didacticism, or that he was satanizing
white people…What I am suggesting is that he was overwhelmed by the
philosophical and metaphysical inconsistencies of an extraordinary and
unprecedented idea that had its fullest manifestation in his own time in his
own country, and that that idea was the successful assertion of whiteness as
ideology.”
Morrison,
Toni. The Source of Self-Regard: Selected Essays, Speeches, and Meditations.
Alfred A. Knopf., 2019.
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